Courses with * fulfill
General
Education requirements
(A-AP) = Arts - Applied
(A-TH) = Arts -
Theoretical/Historical
(A-AR) = Analytical -
Abstract
Reasoning
(A-QR) = Analytical -
Quantitative
Reasoning
(CP) = Comparative Practices
(D-D) = Diversity - Domestic
(D-I) = Diversity - International
(D-L) = Diversity - Language
(ES) = Earlham Seminar
(IP) = Interpretive Practices
(SI) = Scientific Inquiry
(W) = Wellness
(AY) = Offered in Alternative Year
*FILM 215 INTRODUCTION TO
FILM STUDIES (4 credits)
Introduces film analysis
skills that focus on technical details of the cinematic medium, and
how they influence narration, character and theme. Highlights important
topics in film history and film theory. Prerequisite: Earlham Seminar
or Interpretive Practices course. (A-TH) Offered once every three years.
*FILM 237 EAST ASIAN CINEMA
(3 credits)
A survey of films from China (Mainland, Hong Kong, Taiwan),
South Korea and Japan. Develops basic skills for visual analysis and
familiarizes students with film theories and cultures of modern East
Asia. Prerequisite: An Earlham Seminar, an Interpretive Practices course
or consent of the instructor. Also listed as JPNS 237. (CP, D-I) (AY)
*FILM 252 PHILOSOPHY AND FILM THEORY (4 credits)
Investigates the relationship
between philosophical ideas and visual narratives. Examines the philosophical
foundations of various theories of film and interprets visual narratives
in terms of philosophical ideas. Prerequisite: An Interpretive Practices
course. Also listed as PHIL 252. (A-TH, CP)
*FILM 254 THE HOLOCAUST AND FILM (4 credits)
Examines the question of
the representation of the Holocaust as a historical event and asks how
we, as citizens, can provide an adequate ethical commitment to the memory
of this event. Questions asked concern issues of memory and trauma, how
to do justice to survivors' experience,
how to understand the scope of the Holocaust. Also examines the limitations
of explanatory modes and specific issues pertaining to cinematographic representation.
Prerequisite: An Earlham Seminar, an Interpretive Practices course or
consent of the instructor. Also listed as HIST 254 and JWST 254. (CP, D-I)
(AY)
FILM 275 VIDEO PRODUCTION (3 credits)
Provides a basic understanding of
the theory and technologies of video production. Also looks at the functions
of video and television as communication media and social forces. Also
listed as THEA 275.
FILM 300 TOPICS IN FILM STUDIES (3-4 credits)
Topics determined by the
instructor might consider particular filmmakers or cinematic movements
as well as interdisciplinary or thematic concerns. May be taken more
than once with different topic. Prerequisite: ENG 207 or FILM 215 or
consent of the instructor.
*FILM 330 POSTCOLONIAL THEORY (4
credits)
A study of selected topics in
Postcolonial Theory. Investigates the philosophical presuppositions of
these topics and the relationship between Modern philosophy and European
Colonialism. Prerequisite: An Interpretive Practices course and one prior
Philosophy course. Also listed as PAGS 330 and PHIL 330. (CP, D-I) (AY)
*FILM 332 HISPANIC FILM SERIES/STUDIES (1-4 credits)
Studies the development
of movies and movie making in the Hispanic world. Topics vary. May be
taken more than once with different topics. Prerequisites: SPAN 301 or
placement or consent of the instructor. Also listed as SPAN 332 (A-AT,
D-I)
*FILM 341 JAPANESE POPULAR CULTURE (3 credits)
Introduces academic approaches
to contemporary popular culture in Japan, such as anime and video games.
Develops analytical skills for visual narratives and helps students better
understand Japanese culture in the post-industrial era. Also listed as
JPNS 341. (A-TH, D-I) (AY)
*FILM 342 JAPANESE CINEMA (3 credits)
A survey of Japanese cinema from
early films to anime, comparing the development of Japanese cinema with
other national contexts. Develops analytical skills that focus on technical
details of films and how they inflect narration, character and theme. Also
listed as JPNS 342. (A-TH, D-I)
FILM 346 CLASSIC AND CONTEMPORARY GERMAN FILM (3
credits)
Examines films
in the historical and social contexts from the Expressionist period of
the early 1920s to contemporary German cinema. Also looks at cinema
as an art form and film style. Also listed as GER 346. (DI) (AY)
FILM 349 POLITICS AND FILM (3 credits)
Examines a collection of contemporary
films that seek to enhance our understanding of real-world politics and
major policy debates. Expands the view of movies as entertainment to deepen
our understanding of politics, economics and culture. Also discusses the
politics of film-making, seeking to understand why filmmakers choose political
subjects. Also listed as POLS 349. (AY)
*FILM 350 TOPICS IN FRENCH (3 credits)
Topics vary, as does the focus on
European or non-European literatures or cinemas in French. Designed to
enable students to begin to engage in serious analysis with an emphasis
on critical approaches. Recent topics include: representations of Paris,
African cinema, Mandinka literature. May be repeated for credit with a different
topic. Prerequisite: FREN 222, 301, 303 or consent of the instructor. Also
listed as FREN 350. (D-I)
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