AAAS 150 WOMEN AND CIVIL RIGHTS (4 credits)
Women were an essential, and
often dominant, part of the civil rights movement in both the North and
the South. Yet few of us know those who collectively and individually gave
their time, talents and lives to the struggle to expand democracy, realize
racial justice and secure human rights in America. This course focuses on
the unique and indispensable leadership of such women as Ella Baker, Gloria
Richardson, Fannie Lou Hamer, Septima Clark and Ruby Doris Smith as well
as the contributions of hundreds of women in the campaigns such as those
in Montgomery, Little Rock, Harlem, Mississippi and Birmingham. Additionally,
the course examines the ways in which gender politics affected the direction
and presentation of the movement.
BIOL 150 INSECTS AND HUMAN SOCIETY (4 credits)
Insects pervade many aspects
of human culture. Humans eat insects, fear insects, rely on insects
and admire their beauty. This course explores the influence of insects in
literature, music, art and film as well as agriculture, medicine and
food.
CLAS 150 EMPIRE IN THE CLASSICAL WORLD (4 credits)
The word empire is
tossed around a lot by people talking about the U.S. — and it is usually
meant as a pejorative. This course examines Greek and Roman empires and
the ancient views of them as expressed in classical literary and artistic
works. It also examines modern attempts to understand, interpret and
classify these ancient empires.
CLAS 150 FEASTING AND FASTING: FOOD IN THE ANCIENT
WORLD (4 credits)
Food
is necessary to sustain life; that is a universal truth. And yet, the types
of food people choose to eat (and to avoid eating) as well as the ways in
which they eat them often give meals a much greater significance than simple
sustenance. The ancient Mediterranean world was no exception. This course
explores how patterns of feasting and fasting were used in antiquity to
express cultural identity, social power and religious belief. Using a combination
of ancient literature and archaeological evidence, we will explore a range
of case studies from different eras and cultures within Mediterranean antiquity,
including sacrificial feasts for the gods, the Greek symposium and the lavish
banquets of well-to-do Romans.
CLAS 150 LOVE, MARRAGE AND THE FAMILY IN RENAISSANCE
ITALY (4 credits)
Our relationships with our families and loved ones are a central part
of our lives; those relationships were just as important to the people
of the past. But centuries ago, people experienced and thought about
those aspects of private life very differently. This seminar explores
what love, sex, marriage and the family meant to people of Renaissance
Italy. Students look at such topics as the relationship between love
and marriage, the experience of married life, sexuality outside of marriage,
and the relationship between parents and children. Readings include
stories, trial transcripts and letters.
CLAS 150 TALKING ABOUT LOVE (4 credits)
A lot is at stake when we talk
about love. Something as simple as "I
love you" is wrapped up in anxieties and hopes, and can feel like a
moment of absolute truth. This course looks at the ways Greeks and Romans
talked about love as a jumping-off point for examining modern conceptions
of love. Can we be sincere when we talk about love, or are our words so
entangled in the "rhetoric
of love" that our words are not our own? Readings include Sappho, Plato's
Symposion, Daphnis and Chloë, the poems of the Roman love-elegists,
philosophers' diatribes against love and the modern "love canon" from
Romeo and Juliet to pop love songs and romantic comedies.
CLAS 150 SWEET PERSUASION (4 credits)
Persuasion is important in our lives.
People try to persuade us to do all kinds of things, e.g., to buy their
products, to cast a vote for them, to worship as they worship, to see the
world as they see it and even to join them in intimate relationships. This
course aims to help us understand persuasion more fully. The study of persuasion
began in antiquity, and that is where we will begin. Students explore
Plato's Gorgias and Phaedrus and then turn
to Aristotle's Rhetoric. With this foundation we examine some modern
instances of persuasion, a novel, a history, some poems, advertisements
and more. We conclude with each of us creating something we intend to be
persuasive.
ECON 150 BUBBLE, BUBBLE TOIL AND TROUBLE (4 credits)
This course examines
speculative markets. Students consider the theoretical explanations,
historical occurrences, and social implications of speculative markets.
A portion of the course focuses on what is meant by speculation and under
what type of conditions speculative markets arise. The history of speculative
markets covers a wide variety of examples including the tulip mania,
U.S. housing and the dot.com bubbles. In addition, we will study speculation
in international capital markets and the institutions responsible for
stabilizing them.
ENG 150 IMMIGRANT FICTIONS (4 credits)
This class explores novels and short
stories — that represent
immigrant experiences in the United States and Great Britain, considering
issues of identity and belonging, memory and forgetting, and aspiration
and disappointment as they are addressed in these fictions. Writers studied
in the course may include Salman Rushdie, Zadie Smith and Maxine Hong Kingston.
ENG 150 IRISH LITERATURE AND FOLKLORE (4 credits)
This course includes
both well-known, important works from the canon of Irish literature and
examples of less widely-known traditional folk literature. Students write
and revise several academic essays over the course of the semester, as
well as shorter, less formal assignments. Close careful reading, discussion
and participation in writing workshops are central to the work of the
course. Students who are comfortable sharing or discussing their own
or their peers' writing should take this course.
ENG 150 JEWISH LITERATURE (4 credits)
This class offers an introduction
to some provocative and powerful examples of the literature produced by
the Jewish people. While the class starts with some ancient and medieval
writings, including Torah texts and Midrash, the course focuses on more
recent works from the Yiddish-writing diaspora, Jewish American writers
and Israeli writers. Texts may include poetry by Yehuda Amichai and Allen
Ginsberg; drama by S. Ansky; and prose by Anzia Yezierska, A.B. Yehoshua,
Sholom Aleichem and Cynthia Ozick. Special attention is given to the ways
that Jews have used literature to preserve and challenge their cultural
and religious identity in different historical circumstances.
ENG 150 LITERATURE OF LATINOS IN THE U.S. (4 credits)
As one of the fastest
growing minority populations in the United States, Latinos figure prominently
in all social, cultural and political debates of the 21st Century. This
course focuses on literature that examines issues of colonialism, language,
race, education and political representation. While this class does acknowledge
the diversity of the Latino population, it focuses primarily on Mexican
Americans, Cubans and Puerto Ricans. Major concerns addressed include:
alliances within and without the Latino community, cultural retention
vs. assimilation, and the politics of language, identity, gender and
sexuality.
ENG 150 OF MONSTERS AND MARVELS (4 credits)
Tannakin Skinker, the hog-faced
gentlewoman, was born in or about 1618 to parents wealthy and kind enough
to buy her a small silver dining trough and a wedding dress she never wore.
She, like the subjects of other Early Modern ballads and pamphlets, was
part of a new print culture that prized the unusual (like Tannakin), the
menacing (like the Witch of Edmonton) and the villainous (like Richard III).
It also included some of the most prominent writers of the day, like William
Shakespeare, Ben Jonson and Elizabeth Carey. Their influence, like their
interest in the unusual, is still with us. This course explores the origins
and development of this writing about unusual things, using a selection
of Early Modern and modern-day texts from authors like Shakespeare, Jonson
and Carey, as well as Mikhail Bakhtin, Natasha Korda, Peter Stallybrass,
Jim Paul and Gayle Rubin.
ENG 150 SHAKESPEARE'S AFTERLIVES (4 credits)
In the nearly four centuries
since Shakespeare's death his works have been constantly re-presented
as dramas, novels, poems, comics and cartoons. This course focuses on major
Shakespearean dramas and the ways they have been reimagined for the stage
and screen; texts include Hamlet, Rosencrantz
and Guildenstern are Dead,
The Tempest and Forbidden Planet.
ENG 150 WRITING WOMEN'S LIVES (4 credits)
This course explores how
women have been spoken about and have spoken for themselves in literature.
Readings include novels, poetry, autobiographies and memoirs from the British
and American traditions as well as from a variety of cultures or nations
such as Ba's
So Long a Letter from Senegal, Riverbend's Baghdad
Burning: Girl Blog from Iraq and Adnan's Sitt
Marie Rose from Lebanon. Other texts include
speculative fiction by writers such as Atwood, Winterson and Butler and
the graphic memoir Fun Home. Students complete writings of women's
lives in both analytical and imaginative forms.
GEOS 150 OUR NUCLEAR LEGACY (4 credits)
This seminar examines the history
of the nuclear fuel cycle from the perspective of science. The course
starts with the early discoveries of radioactivity and nuclear chemistry,
progresses through the geologic controls on uranium mineralization and
the methods of exploration, extraction and milling and culminates with
an examination of environmental impacts, including bioaccumulation of
radionuclides, mill tailings and high-level disposal.
GER 150 BRUISED IDENTITIES: VIENNA CIRCA 1900 (4 credits)
The course
considers works of a number of writers, artists and intellectuals, examining
how those works reflect a very turbulent and exciting time in our history.
The arrival of the 20th Century brought with it new directions in the
arts, science and medicine; new ideas about political and social structures;
and new senses of ethnic and national pride. All had a dizzying effect
on the Viennese of the old K and K Monarchy. Had that which always had
been proper, right and good now lost its meaning? In examining these
questions and these bruised identities, this course considers, among
others, the works of Schnitzler, Hofmannsthal, Kafka, Freud and Klimt.
GER 150 DREAMS AND DELUSIONS:
PROSE, DRAMA AND FILM STORIES FROM GERMAN-SPEAKING EUROPE (4 credits)
This course explores dreams and delusions — from
the Romantic notion of dreaming as fantasizing and imagining an ideal world
to Freudian-inspired dreaming as a kind of "wish fulfillment" to
Kafkaesque nightmares about a world gone mad. Students consider what certain
writers, thinkers and film makers say about the human condition. The texts
are in English translation and the films have subtitles; no knowledge of
German is required.
HIST 150 THE AMERICAN REVOLUTION AND ITS AFTERLIVES (4
credits)
This
seminar examines the history of the American Revolution and its lasting
resonances in American culture and politics. The course begins by examining
the Revolution itself and the ways that it changed — and failed to
change — American
politics, culture and society. Then, the course looks at some ways that
the story of the Revolution was remembered, retold, reimagined and even
spoofed during the first century after its conclusion. Finally, the course
considers war as moral lesson, as myth, as farce, and as powerful touchstone
for a number of social and political movements from anti-slavery and women's
rights to labor activism and partisan politics.
HIST 150 FAITH AND COMMITMENT (4 credits)
This course explores a series
of texts in which authors have recorded their thoughts about faith and
commitment. Some of these texts are widely regarded as classics; others
are not as well known. They all share a human consciousness attempting
to give form to the nature of faith and the challenges of commitment,
and to reflect on their significance for humanity.
HIST 150 FAMOUS FEUDS (4 credits)
Conventional wisdom tells us that conflict
within and between families is often the most brutal and bitter of all.
This course examines three of the most famous family feuds of all time:
The Wars of the Roses, the feud between the Hatfields and the McCoys,
and the one between the Earp brothers and their adversaries in Tombstone,
Arizona. Students consider whether the conventional wisdom is true, and
if so, why, and what might be its significance. Discussions focus on
such questions as: What causes families to feud, how do the participants
understand what's going on, and how do the
conflicts fit within their broader socio-economic, cultural and historical
contexts? What's at stake in these feuds, and why are subsequent generations
so much more fascinated with them than with other kinds of conflict?
HIST 150 THE GREAT TRANSFORMATION:
MACHINES, METROPOLISES AND MODERN SELVES (4 credits)
The modern age is the age of the machine. Machines
have allowed for seemingly limitless expansion of production, exponential
speeding up of transport and the rise of the modern metropolis. Machines
also have helped to generate entirely new social relations, new notions
of time and new possibilities for human emancipation. Yet the machine
age has also been the age of distinctly novel forms of social control
and unprecedented man-made destruction. This course examines classical
sociological works by Adam Smith, Karl Marx and Hannah Arendt, as well
as historical works by Karl Polanyi, E.P. Thompson, and Joan Scott (among
others) to explore the rise of the machine age, its benefits and human
costs.
HIST 150 IS HISTORY BUNK? (4 credits)
What do the Haitian slave rebellion,
the Alamo, the Vietnam Wall, the AIDS quilt, the Shoah, the Palestinian/Israeli
conflict, and the Armenian genocide have in common with the widespread
belief that veterans of the U.S. war in Vietnam were spat on by protesters
when they came home? This course examines case studies and theory in
an effort to discover the patterns, processes and politics of remembering
and forgetting.
HIST 150 MODERN ANTI-SEMITISM (4 credits)
This course explores the intellectual,
cultural and political origins of "modern" anti-Semitism, and
the role it has played in modern European history as both a widespread social
and cultural prejudice, and a state policy. Our work focuses more particularly
on the 19th century rise of anti-Semitism in modern European societies,
and the differences between its Western and Eastern European expressions.
It examines how "racial anti-Semitism" emerged in the early
20th century and was implemented by the Nazi Regime with the "Final
Solution," the
specificity of Nazi anti-Semitism; and the way the Holocaust forever
changed the way Europe defined the "Jewish question." Our readings
are driven by the following questions: Is anti-Semitism another form of
racism? How has anti-Semitism persisted and how have its manifestations
changed? Readings include primary texts, novels, political tracts and historical
monographs.
HIST 150 WORKERS AND ACTIVISTS:
A CLASS PERSPECTIVE ON U.S. HISTORY (4
credits)
The United States is often portrayed as a classless or "middle
class" society,
but the last 30 years have been marked by increasing concentrations of
the wealth of a few and increasing poverty, erosion of economic security
and alienation of the rest. This seminar raises basic questions about class
and its intersection with the ideals of democracy in the United States,
as well as race and gender. Readings focus on three time periods: 1) the
Revolutionary period and its impact on the institutions, ideology and structures
that affect class issues today;
2) the late 19th century and profound labor issues generated by industrialization
and immigration; and 3) the contemporary period as labor faces the challenges
of globalization and inequitable distributions of wealth and power.
JPNS 150 INTRODUCTION TO JAPANESE LITERATURE (4 credits)
This course
introduces a variety of fictional and non-fictional essays from Japan
in English translation from contemporary fiction and film to classics
and poetry. Students learn the basic skills of reading, writing, and
discussion as they explore important issues in Japanese society, such
as the concept of beauty in classical periods and memories of WWII. By
looking at a different culture and history, students learn how to see
and think about themselves. For example, what beliefs and ideologies
condition the interpretation of a text? What factors determine judgments
of good and bad?
MUS 150 BEETHOVEN: MAN, MUSIC, MYTH (4 credits)
This course introduces
the life and music of Ludwig van Beethoven, as well as the myths that
have developed around his iconic status as a classical composer. Students
are exposed to many ways that those in the field of music approach music,
its context and its history — engaging
with the music itself, performance questions, musical analysis, issues
of elitism, political issues from Nazi Germany to South Africa, gender in
canon formation and with other issues of social construction. Students are
not required to read music.
PHIL 150 ARE YOU MY MOTHER?
AND OTHER QUESTIONS CONCERNING IDENTITY (4
credits)
P.D. Eastman's book, Are you my Mother?, is usually classified
as a "child's
book," but the question it poses concerning how we identify ourselves
is far from childish. This course uses Eastman's text as a starting
point for a much larger philosophical discussion concerned with some of
the attempts that western tradition has employed in tackling questions of
personal, political, sexual, ethnic, racial and national identity.
PHIL 150 GOOD AND EVIL (4 credits)
The subject of good and evil shows
up in a wide variety of literature in the Western tradition. This course
looks at some of that literature and engages students in critical discussions
of the subject by reading texts like Hesiod's Theogony, the Old Testament's
creation story, Plotinus' Enneads, Augustine's On
Free Choice of the Will, Nietzsche's Beyond Good
and Evil, Melville's Billy
Budd, Arendt's
Eichmann in Jerusalem, and Patrick Suskind's Perfume.
PHIL 150 PHILOSOPHY, PEACE AND JUSTICE (4 credits)
This seminar concentrates
on questions of peace and justice from a philosophical perspective. Two
goals are examined: (1) understanding the fundamental questions of philosophy
and how they relate to politics, society, culture and our everyday life
in general and (2) understanding the connection of philosophy to peace
and justice. What do we mean when we use the concepts "justice" and "peace"?
How do they differ from their opposites "injustice" and "war"?
What are the presuppositions of our desire to live in a peaceful and
just society or world? Does philosophy help us to achieve peace and justice?
Students come to understand the difficulties, as well as the philosophical
problems associated with, peace and justice issues and see how questions
of peace and justice require extensive conceptual clarity and historical
sensitivity.
POLS 150 LEADERS AND TYRANTS:
LEADERSHIP THROUGH BIOGRAPHY (4 credits)
The course addresses the concept of political leadership. What qualities
make a leader? What is the difference between leadership and tyranny?
Students examine these and other questions by reading and discussing
biographies of selected 20th century political figures, among them Martin
Luther King, Jr., Winston Churchill, Adolf Hitler, and Theodore, Franklin
and Eleanor Roosevelt, among others.
POLS 150 POLITICAL LEADERSHIP THROUGH POLITICAL BIOGRAPHY
(4
credits)
The course examines political leaders in both constitutional
and authoritarian settings. Readings include biographies of Jefferson,
Lincoln, Franklin Roosevelt, Churchill and Hitler, among others.
POLS 150 RIOTS, REBELLIONS AND REVOLUTIONS (4 credits)
This course explores
social conflict and political violence in its many forms, from isolated
outbreaks to popular uprisings. Why do ordinary people sometimes exert
force to get what they want politically or socially? This class focuses
on the meaning of violence as well as when and why it happens, using
examples from different parts of the world. Students choose a violent
political incident or movement that interests them, conduct research
on the subject, and present their findings in both written and oral form.
REL 150 BALANCING ACT:
LIFE IN THE SPIRIT AT HOME AND AT WORK (4 credits)
In this class we focus on the ways family life and spiritual commitments
intersect with work. We explore different family patterns and faith communities
in the USA by reading histories, plays and novels, and we consider the
ethical dynamics of the vocational choices we discover and observe. Assignments
include papers (both reflective and expository), library research and
group presentations.
REL 150 LOVE, PROTEST AND HOPE (4 credits)
This seminar exposes students
to the structural and spiritual challenges posed to Christian love (in
its agape, eros and philia forms) by U.S. cultural and political history.
It enables students to focus on the key characteristics of love in their
actions and reflections in society and the world. Students challenge
one another to face serious issues and encourage one another toward resistance
and hope in the service of love. Guiding questions in this seminar include:
What does the principle and/or virtue of love have to do with what it
means to be human? Is love simply romantic or indiscriminate and therefore
antithetical to justice, or can love take the form of justice? Students
wrestle with the issues of love, protest and hope in conversation with
voices from the African American (including "Womanist"), Native
American, U.S. Latino/a and Latin American communities.
REL 150 RELIGION: FOR AND AGAINST THE COMMON GOOD (4 credits)
This course
traces how religion has been cast as a force of both good and ill on the
world stage with regard to such questions as peace and justice, human rights
and civil liberties. Quaker thought and practice are among the topics discussed.
REL 150 SPIRITUAL LIFE IN THE NEW TESTAMENT (4 credits)
In this seminar
students read from the New Testament, especially the gospels, with a
focus on discovering how to explore ways of living a spiritual life.
Students engage the religious questions of the New Testament in the historical
context of the first century, seeking connections between the meaning
of the New Testament for its first readers and possible meanings for
readers today. The course examines a variety of interpretations — feminist,
African American and Latin American liberationist voices — and explores
artistic expressions and spiritual practices that interpret and engage
New Testament texts.
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