US West: Myth and Reality
History 364
Fall 2004
Carol Hunter 160; BC 214
carolh@earlham.edu M R 1:00-2:20
Office: BC 231


“The central and most persistent story in American history,” according to William Cronon, “is the story of the western frontier.” The very words evoke images of bravery, daring, rugged individualism, frontier democracy and freedom that are still powerful in defining what it means to be “an American.” Why is this? Are these images we have learned from movies, pictures and stories or was there something about the westward movement that brought out such values and qualities? This power of this mythology is evident in the media discussions of the presidential candidates this election year. We will examine both the contemporary manifestations of the west through movies and literature, as well as through the vibrant and often contentious historiography of the West, from Frederick Jackson Turner to the new Western historians like Donald Worster and Patricia Limerick. In this course we will focus on the movement through the Old Northwest and the Great American Desert, giving special attention to local history and resources and primary sources such as diaries kept during the westward journey. While developing a general understanding of the political, social, and cultural dynamics of the westward movement, this class will focus on three central questions: 1) What was the intersection of expansion and resistance and how has this changed over time? 2)how did this movement affect the environment and what various environmental ethics shaped (and continue to shape) resource use? 3) what is the legacy (“persistent story”) of the frontier and how does its portrayal in literature and film affect American ideas of freedom, democracy, redemptive violence, and political leadership and policy today?
Texts
Patricia Limerick, Clyde Milner, eds. Trails: Toward a New Western History
Julie Roy Jeffrey, Frontier Women: “Civilizing” the west?
Donald Worster, Under Western Skies: Nature and History in the American West
Jane Tompkins, West of Everything: The Inner life of Westerns
Louis L’Amour, Rider of the Lost Creek
Sherman Alexi, The Toughest Indian in the World
Various essays, primary source documents and hand-outs including but not limited to:
Frederick Jackson Turner, “The Significance of the Frontier in American History”
http://www.fordham.edu/halsall/mod/1893turner.html
Patrick Reddy, “Bush, the true cowboy?” UPI May 19, 2004.
Suzanne Fields, “Searching for the Alpha Male” Washington Times, March 25, 2004
Kenneth Porter, “The Labor of Black Cowboys”
Nat Love, “Deadwood Dick”
John Opie, “Frontier in Environmental Perspective”
Vine Deloria, “Federal Indian Policy”
Richard White, “Outlaw Gangs and Social Bandits”
Sarah Deutsch, “Race Relations in the West 1865-1990
Robert Beck, “Louis L’Amour and the Myth of Constructive Violence”
Robert Hine, “Image of the West in Art”
Thomas Frank, “What’s the Matter with Kansas? (Metropolitan books 2004).
Videos
500 Nations
The Way West
The Way the West was Lost
The Virginian
cowboy movie: class choice
Requirements
40% Response papers to four of the five sections 5-7 pp each.. (10% each)
25% Individual project: Explore the origins and impact of one contemporary manifestation of western mythology , or create a teaching unit on some aspect of the U.S. west.
5% Geography and Map work
10% Seminar Leadership and participation
20% Historiography Paper This paper can support your research. Look at 5-7 sources (must include both primary and secondary sources) and discuss them in a historiographic essay of 7-10 pp. Be sure to use the readings frm Trails to help you frame your essay.
Schedule of readings and DUE DATES
Aug 26 Introduction/ first impressions/ questions you bring 1. http://www.catsprn.com/cowboys.htm
The West of Images
Aug 30 Read Robert Hine “Image of West in Art”
` study pictures following p 144 in “Trails”
Patrick Reddy, “Bush, the True Cowboy?”
Sept 2 Read Tompkins 1-19. 131-156
Watch Cowboy movie! (See Tompkins pp 235-236 for ideas (not limiting)
What can we know and how do we know it? Historians and Western history
Sept 6 Frederick Jackson Turner, “Significance of the Frontier”
Due: Individual proposals
Sept 9 Limerick, 3-80
DUE: Response paper to the movies and art
Seminar leader: ____________________________________
Sept 13 Limerick 81-138
Worster 19-33
Seminar leader: _______________________________
Sept 16 Limerick 139-214
DUE: Bibliography for Historiographic Essay
Land and Freedom
Sept 20 The Eternal Frontier: Taking the long view of land– a 65 million year perspective
Read Opie, “Frontier History in Environmental Perspective”
Read Tompkins 69-130
Sept 23 Cowboy Ecology, Hydraulic Society and Grassland Follies
Worster 34-64; 93-105 ; Land policy outline
Seminar Leader_________________________________
Sept 27 Native American Perspectives on Land
Nabokov and handouts; review Tompkins 7-10;
Vine Deloria, “Federal Indian Policy”
Video: 500 Nations
Sept 30 Grounds for Identity
Read Worster, 225-254
Seminar Leader _____________________________
Oct 4 Class discussion of western images in the news–Each person brings in one article or video clip (Especially watch for international media using cowboy images of US).
DUE: Response paper to Land and Freedom
Oct 7 Mid semester Break
Frontier, Democracy and Violence
Oct 11 review Turner
read L’Amour, “Lost Rider”
Seminar Leader__________________________
Oct 14 read Tompkins 23-45; 205-233
Seminar Leader _________________________
Oct 18 read Beck, “Louis L’amour and the Myth of Constructive Violence”
various essays TBA on election and political uses of “constructive violence”
Oct 21 Video: How the West was Lost
Read, White “ Outlaw Gangs and Social Bandits”
Gender and the Frontier
Oct 25 Women and the Language of men
Tompkins 47-68;
Suzanne Fields, “Searching for the Alpha Male”
DUE: Response Paper to Democracy and Violence Readings
Oct 28 Freedom from norms or preservers of norms?
Jeffrey, 3-97
Seminar Leader ______________________
Nov 1 “Civilization”
Jeffrey, 98-178
Nov 4 Religion
Jeffrey, 179-244
Video: Way West
Were all the cowboys White? Myth and Reality: Indians, Mexicans, Chinese, African Americans
Nov 8 Story of the Railroad
Video: The Way West
Due: Response Paper on Gender
Nov 11 Era of the Cowboys
Nat Love, “Deadwood Dick”
Kenneth Porter, “Labor of Black Cowboys”
Seminar Leader:___________________________
Nov 15 Alexie, 1-75
Seminar Leader_____________________________
Nov 18 Alexi, 76-149
Due: Historiographic Paper
Nov 22 Thanksgiving Break
Nov 29 Alexie, 150-238
Due: Response paper to Alexie and videos
Dec 2 Class presentations
Dec 6 Class presentations
Dec 9 Review
projects due
All papers are due in class on the dates given. Late papers will be penalized.
Any student with a documented disability (e.g., physical, learning, psychiatric, vision, hearing, etc.) Who needs to arrange reasonable accommodations must contact Academic Support Services and the instructor at the beginning of each semester. Accommodation arrangements must be made during the first two weeks of the semester.